Thursday, September 09, 2010
Dear Humans from Earth...
I take this opportunity to address the issue of a few appearances.
A couple of local goings-on. The Tokens Show, for instance, is a local happening, viewable and downloadable, conjured into existence and hosted by one Lee Camp, writer, teacher, activist, song & dance man. I'll be joining him onstage Tuesday of next week with many a talented friend. Details here. I'm also joining Richard Goode for a conversation at the Southern Festival of Books. I believe we'll be in the Old Supreme Court Room on October 8th at 1:00.
Sarah and I will both hit Waco, Texas for David Crowder's Fantastical Church Music Conference the weekend of October 1st.
And on November 17th, I'll be doing an evening talk/conversation at Taylor University in Upland, Indiana. No Internet-ish publicity for this just yet, but I'll give you details if you ask for them.
Oh and Gloria Gaither did an incredibly gracious radio interview that was mostly about the Sacredness of Questioning Everything. I offer her my thanks. It can be unearthed once you scroll down a little right (# 21)...here.
UPDATE! And lettuce now add unto the mix Tuesday October 5th. I'll be sharing words with Trevecca students. All are welcome. The details.
This it for now. But I wouldn't want to miss the opportunity to drop into your laps a recent poem that draws heavily upon Carolyn Forché, an Ubuntu saying (via John Mbiti), and Robert Palmer. I think we'll call it Come On In.
We're going to have to find ourselves beautiful
It will involve libraries
Of Country Music
Not as a genre
But a possibility,
A matter of opening
Again and again
The Book of what happened
Of learning to to savor the sighs
The incomplete sentences
Of other people,
To view with imagination and deep affection
Our only hope
(We might as well face it)
And with impossible-feeling
Drawn into the circle of song
The space of the talkaboutable,
The ancient candow
That knows (always knew)
There are no unrelated people.
I am because we are.
Wednesday, September 01, 2010
It won't be a spectator-kind of situation exactly. It's immersive. It's what Sarah's been up to with the children of our congregation and artist friends who've been kind enough to get in on the act. It's...a chapel transformed into a human body. You walk into it. There are kids inside to show you what to do and see and how to get the drift of what's going on. It's called Consuming Catastrophe: The Comedy of the Heart; A Play in Ate Parts, and it might go some distance in undoing the damaging image/experience of church as a place where young people are taken to learn to hate and fear their own bodies.
Sarah's "Sunday School" space is equal parts storytelling and intelligence gathering. She begins with story (Jesus' parable of the mustard seed, for instance), and then they go from there w/ drawing, playing, singing, asking questions, attempting analogies, and producing images of their own. Their money quotes ("I am art," "There's a virtual, galactic battle going on in my head," "The future is where we go to remember") have generated the installation, even as we note that they refuse, wonderfully, to regurgitate these gems on command. So anyway, they'll be there. Anyone within reasonable driving distance of Nashville would do well to be there too. And I imagine it'll be the most strange, blessed, and inspiring thing going on in our beloved town. It's a going public, we might say, with what our Sunday mornings look like. One more crack at togetherness, as H. Simpson puts it, or, in Sarah's words, another go at putting skin and bones on the mystery of God. Be there and be square. It'll be good for everyone. The opening is this Saturday, September 4th in DPC’s chapel at 6:00. Food and drink will be available as a part of the Artluck’s 1st Saturday Art Crawl. Write me if you're at all confused. More info and a visual clue or three of what some of it will look like can be found right....here.
Here I am in conversation w/ a very kind woman in Toronto. If, upon viewing this, Lynch or the Coens or either Anderson decide they'd like to employ my gifts in an upcoming film, please inform them that I can be reached via the Facebook platform. That is all.